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Nameless Warner Brothers cow in and respectively. Cows are natural comedians, as Far Side creator Gary Larson proved many times over the years. A great deal of the bovine potential for visual humor lies in their udders, and early animators from Disney and other studios quickly latched on pun intended in the late s.

Cow Udder Animated

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Otis nicknamed Odie by Maddy is the lead character and protagonist of the Barnyard movie and its spin-off TV show. Otis is a white cow with black spots, blue eyes, a light pink snout and lips, and udders that produce milk despite being a male. Once, after getting milked by attaching the machine to his udder, he became extremely skinny because his body was drained of all its milk content. Otis' pink udder is a prominent feature of his large body, It is round and quite fat and has four nipples that milk can be squeezed out of.

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Did the bovine gender confusion at the heart of the story give no one pause at Paramount or Nickelodeon?

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Did the drawbacks of featuring a female lead so outweigh the benefits of cow protagonism that a mass species sex-change was required in order for the project to go forward? Are hornless, uddered boy-cows the next big thing in aggressively marketed, reality-displacing fallacies, like Snackwells and intelligent de?

Otis the cow voiced by Kevin Jameshis alpha cow dad, Ben Sam Elliottand the thuggish band of Jersey cows Otis teams up with toward the end of the movie are all in unfortunate possession of protuberant udders that look like rubber toilet plungers with four wobbly cocktail weenies attached. Reader, there were times when I felt compelled to avert my eyes and pray for pants.

The crassness of the image, which we can assume was entirely unintentional, pales in comparison to the sad vulgarity of its characters and story.

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The movie opens on a bucolic farmyard dotted with cute country animals. The look is appealingly old-fashioned at first, luridly colorful and surreally deep, as though looked at through a View-Master.

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But as soon as the farmer goes off in his truck, the animals stand up and start acting like idiots. The premise is that when humans turn their backs animals revert to living lives very much like our own -- that is, they exist in a state of protracted, excitement-addled, media-saturated arrested development. There is one grown-up on the farm, namely Ben, an aggrieved manager type who is forever trying to round up the other animals into meetings.

If Ben is all officiousness all the time, his son Otis is a Mountain Dew commercial made beef.

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Childhood memories to cherish forever. Not long into the film, Ben is attacked by a band of villainous coyotes, really scruffy sickos of the type favored by CBS police procedurals.

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The chick. Milk me!

‘barnyard’ is udder nonsense

How cool is that? Writer-director Steve Oedekerk. Producers Oedekerk, Paul Marshal. Editors Billy Weber, Paul D. Music by John Debney.

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